xii. sydney symphony and stephen hough, dvorak's new world symphony and mozart piano conc no. 21
i got last minute tickets and it was ok, the conductor mark wigglesworth is very interesting! i'm pretty sure he conducted the dvorak without a score. also his conducting clearly went beyond any notion of marking bars at all, more just shaping the music in somewhat vague ways. anyway interesting.

cvi. atmospheric disturbances, rivka galchen
the 3 out of 5 star average on goodreads perfectly represents my feelings about this book. i suppose it was well written in a way, but the narrator/protagonist makes the premise clear in the 1st sentence, and does not develop beyond that, in fact devolves with no resolution. halfway through i was bored and looking for a hook which didn't materialise. having a part 1 and part 2 implies some kind of difference or development usually, but no, not here. the narrator is hard to identify with, clearly this was the intention, but it just distances the reader. also the narrator being a new yorker was not conveyed at all through his voice, i kept thinking that it was a european book. hence why choose new york as part of the setting? it could have been anywhere.